Wednesday, February 25, 2009

The Ineffective Doll

Music: Sad Eyes - Josh Rouse


Sometimes shit just happens. Like when one morning you're cruising along the highway, headed someplace you've been to plenty of times before, a routine drive most would categorize, and suddenly, out of nowhere, your tires hit a slick spot on the road and you lose control. Moments later, you find yourself bleeding from the head, with a cracked rib or two, face to face with a messed-up wall, and airbags deployed awkwardly in front of you as a crowd of onlookers slowly begin to gather around your vehicle that now resembles a can of power drink right after a professional wrestler drank off it.

Well, give or take, that's how the 1st two episodes of Dollhouse equates to thus far when compared to Joss Whedon's past endeavors--an out of nowhere car wreck.

I mean, come on, this show is supposed to be something Whedon's all about: a character-driven sci-fi/fantasy show with a highly philosophical premise while unconciously/conciously alluding to a great work of the past (Dark City mind-wipe restart anyone?). Instead of that awesome goodness I tend to get from other textbook Whedon projects, what I saw instead was an awkward abomination of a sexy female lead who is undeniably wrong for the part.

Eliza Dushku, better known for her stint as Buffy's slayer-gone rogue, Faith, looks too energetic and kinetic for the part. If this was some sort of an action-packed series that demanded a tough, sarcastic and witty act for the lead, then casting her would have worked out (a la Buffy or, to some extent, Veronica Mars). Sadly, that's just not the case. The role of Echo demands more of a laconic, chameleon-like persona that's pretty much lacking in Dushku. It's like asking Nicholas Cage to do Randy "the Ram" Robinson instead of Mickey Rourke. Dushku as Echo is sketchy and lacking of any appeal whatsoever. Because of this, the show suffered gravely despite of its commendable set design and nice atmospheric treatment. It came out as bland and unintentionally farcical which is gravely uncommon for somebody like Joss Whedon.

In my opinion, Whedon should have waited, at least for a few more months until the next American T.V. season, when Summer Glau is finally off the hook for Terminator: the Sarah Connor Chronicles (face it, it's going to be canceled after the season) and casted her instead. I mean, Echo IS a Summer Glau character. And no, it's not typecasting, at least not totally since Glau is one heck of an actress.

I know, I'm pretty much enthralled with Summer Glau as most of you know but, think about it, the part of Echo demands for an actress that can play both conventional and unconventional character-types (it pretty much calls for as wide a range as an acting part could) and Glau already proved she can do as much by playing Firefly's "moon-brained" River Tam and T:TSCC's Cameron. Add to that the doll-like quality that Glau seems to exude and man, oh, man that's one kind of perfection I can't believe the casting crew of the show missed. They should have waited, waited, waited.

Anyway, let's see if things start picking up in the succeeding episodes. If not, then I'll just have to believe that Whedon's trying to get back at Fox for screwing Firefly up by pitching a horrendous show to them. And yes, that's a pretty screwed-up way to come up with for revenge either.


Monday, February 16, 2009

The Good Kind of Camp

Music: Falling for You - Weezer


I recently blew by all 12 episodes of Javier Grillo-Marxuach's The Middleman and I can clearly deduce that this is pretty much one of those intentionally campy sci-fi shows that the average TV-viewing public tends to cringe at while simultaneously gaining so much love from a fat-bellied, absurd facial-hair sporting fanboy like me.

It's pretty much an amalgam of various western pop and cultural mythos. From vampires to zombies, to aliens posing as boy-bands, nano-technology, and puppetry (that Vlad the Impaler puppet episode was a gem)--everything one ever came to love as a kid (well, not the boy-band stuff per se but I think you guys get the picture). And you know what, its snappy and witty dialogue, great casting, and absurdly hysterical premise make it a helluva entertaining hodgepodge of sci-fi, comedy, horror and mystery--everything you could truly ask for in a TV show of its kind despite a couple of hohum episodes (which could be properly attributed to it being a new show and all).

So yeah, watch it, and don't take it too seriously--it isn't House M.D. The show is all about having fun while saving the world in more cool (and geeky) ways than one--a throwback to those days when TV shows were actually watched on TV while sitting on a couch and eating popcorn and drinking soda at the same time (nowadays you just download it from, or watch it straight off the net). And, you know what, it actually really feels nice knowing that somebody is brave enough to put together a show that tackles that--makes me glad somebody out there still has the cajones to have fun by being nostalgically geeky while not being too forceful that everything seems out of place or just a rip-off of things past (*cough* Heroes *cough*).

And besides, it features a sexy, ass-kicking, raygun-totting latina as its protagonist. Plus it constantly jabs at over the top artsy fartsy people/scenes--who in their right, testosterone-driven mind would not watch that?

Wednesday, February 11, 2009

A Couple of Newbies and a Fickle-Minded Fanboy

Music: The Good Life - Weezer


The Cast of Leverage: Christain Kane (Eliot Spencer), Gina Bellman (Sophie Devereaux), Timothy Hutton (Nathan Ford), Beth Riesgraf (Parker), Aldis Hodge (Alec Hardison)

After watching Fringe's pilot episode way back in September, I assumed then and there that it was going to be my favorite new show for the current American TV season. I mean, it possesses all the things I typically love in an hour long TV program: mystery, suspense, scientific mumbo jumbo, sleek-looking cinematography, conspiracy theories and, most important of all, a hot female lead who looks like she hadn't had a decent night's sleep since she was 5 (think something like Summer Glau's River Tam and Cameron in Firefly and T:TSCC). I mean, come on, it even has the actor that played the Steward of Gondor in the LOTR movie adaptations as one of its lead stars so you really can't blame me for arriving into such a hasty decision. My resolve was set then and there--Fringe was going to be it, my favorite newbie show on T.V. and that's going to be final!

Fast forward a couple of months later, a few lingering moments after I saw Nathan Ford and his oddball partners in goodwill and crime stomp an immoral and conniving corporate executive on TNT's Leverage, and all that changes.

It happened during that 2nd most irksome stretch of weeks that most TV show addicts like me tend to go through with heavy heart and shaking, junkie withdrawal hands--the mid-season Christmas break (the 1st most irksome being the American summer off-season of June up until August). Tired of waiting for new episodes of the shows I religiously follow, I decided to go out on a limb and look for a new one with back-episodes to fill the huge void that the break left in my viewing schedule. After searching all over the net for write-ups of shows I never heard of, (and viewing photos of show castings, desperately trying to fulfill that most important of requirements I tend to give a show before I start watching it, which is it having a cute chick in one of its lead roles) I decided to pick up Leverage, an up and coming con series that star's Oscar winner Timothy Hutton.

Allow me to tell you how this show reeled me in through an absurd booze analogy: Leverage ganked me straight into T.V. viewing nirvana like what drinking an entire bottle of a Single Malt, 20-year old scotch does to an alcoholic.

Don't get me wrong, there's nothing new to it at all. If we're talking in terms of a prototypical caper story's plot structure, then Leverage certainly fits very well into that. But, what it lacks in originality, it makes up with its smooth, unobtrusive absurd humor--like ketchup flowing from a newly bought, recently unsealed, air-tight bottle after a few slaps to the bottom. Dig this, Parker's awkwardness when it comes to socially interacting with the group, Sophie's insanely bad acting getting good when doing a con, Hardison's stereotypical black dude freak out moments, Eliot's tough-guy-that-gets-easily-irritated-over-everything-act, and Ford's I'm not-an-alcoholic denial syndrome naturally blends well onscreen--a huge credit of which can be attributed to good acting and great casting. Great character interaction always goes a long way in any form of story, whether in a novel, a play, a movie, or a TV show and it is very much true with Leverage.

Also, the feel good element you get in watching the "good" guys (open and close quotations on the word good since technically the protagonists are all thieves) get the best of evil-corporate bullies at the end of the show, while eliciting a very nice black and white view on what is morally acceptable is priceless. Don't be misled though, I still think the discussion on morality and evil is a very complicated topic but, beneath all those complications, one could still arrive to a certain degree of personal sense about it--kinda like what you get after reading a Graham Greene or a Henry James novel (or after watching the Star Wars trilogy). I'm not saying Leverage can be properly equated to any Greene or James masterpiece, obviously that would never be the case. What I'm trying to say though is, at its very core, it has the same end-effect, the same oomf sensation you get deep in your gut albeit the journey totally different and less emotionally and intellectually stimulating than the aforementioned literary masterminds' works.

Nevertheless, the laughter and the sheer entertainment value you get out of the show is enough to make you smile at the end of a tough day--and that's what's truly important when it comes to these kinds of shows, in my opinion. Plus, it's fast and sleek--totally worthwhile if you're tired of overly dragging and serialized shows like Prison Break.

Anyways, if you love sleek, how-will-they-do-it caper stories like Ocean's 11 and Hustle, I highly recommend Leverage.

P.S. BETH RIESGRAF IS FREAKING HOT!

Admit it, you knew that was coming.

P.S.S.

It got picked up for a second season! Yay! More Riesgraf screen time hahaha!

Sunday, February 1, 2009

I'm Back

Well, I'm back. Will be updating soon but, for now, I'm gonna watch some DVDs first--and no, none of them are porn hehehe!